As the iconic charity song Band Aid marks its 40th anniversary, British-Ghanaian artist Fuse ODG has reignited a conversation about the song’s portrayal of Africa.
Originally released in 1984 to raise funds to combat famine, Band-Aid became a cultural phenomenon, spearheaded by a supergroup of artists and followed by globally recognized charity events like Live Aid.
However, Fuse ODG argues that the initiative’s portrayal of Africa perpetuated harmful stereotypes. Speaking to Focus on Africa, he reflected on the impact of such imagery on his identity as a young African in the UK.
“Growing up in the UK, I was not proud of being African because of images initiatives like Band-Aid were portraying on TV,” he said, highlighting the one-dimensional representation of the continent as perpetually destitute and dependent on foreign aid.
Fuse ODG, known for his global hit Antenna and efforts to celebrate African culture through his music, has been vocal about reframing Africa’s image.
In 2019, he famously declined to participate in a re-recording of Do They Know It’s Christmas? Explaining that the song’s messaging failed to align with his vision of showcasing Africa’s vibrancy and potential.
The criticisms highlight a broader debate about how charitable campaigns for Africa often focus on despair, sidelining stories of progress, innovation, and resilience.
While Band-Aid undeniably raised awareness and millions of dollars for famine relief, it also contributed to a narrative that many argue oversimplifies the complexities of African nations.
As Fuse ODG continues to challenge stereotypes through his music and advocacy, the 40th anniversary of Band-Aid serves as a reminder of the power—and responsibility—of media and art in shaping perceptions.